The Year of Living Dangerously
■ Basic Data
| Item | Content |
|---|---|
| Year | 1982 |
| Country | Australia |
| Director | Peter Weir |
| Cast | Mel Gibson, Sigourney Weaver, Linda Hunt, Michael Murphy |
| Genre | Political drama |
■ Title Language Table
| Language | Text | Romanization |
|---|---|---|
| English | The Year of Living Dangerously | – |
| Español | El año que vivimos peligrosamente | El ano que vivimos peligrosamente |
| Français | L’Année de tous les dangers | L’Annee de tous les dangers |
| Deutsch | Ein Jahr in der Hölle | Ein Jahr in der Holle |
| Português | O Ano em que Vivemos em Perigo | O Ano em que Vivemos em Perigo |
| Italiano | Un anno vissuto pericolosamente | Un anno vissuto pericolosamente |
| Русский | Год, опасный для жизни | God, opasnyy dlya zhizni |
| 中文（简体） | 危险年代 | – |
| 中文（繁體） | 危險年代 | – |
| 한국어 | 가장 위험한 해 | Gajang Wiheomhan Hae |
| ไทย | – | – |
| Tiếng Việt | Năm tháng nguy hiểm | Nam thang nguy hiem |
| Bahasa Indonesia | The Year of Living Dangerously | – |
| 日本語 | 危険な年 | Kiken na Toshi |
■ One-Line Definition
👉 A work that depicts a structure in which journalistic ambition and political collapse collide within revolutionary instability
■ Synopsis
A foreign correspondent in Indonesia is drawn into political upheaval, moral compromise, and personal attachment during the fall of Sukarno’s regime.
■ RECIPE Tags
#PoliticalWitness #MoralCompromise #RevolutionaryCollapse #ForeignGaze
■ Primary Axis
- Entry: Can a journalist observe history without becoming implicated
Reason: Reporting turns into participation as political violence closes the distance between witness and event
Related Film: The Killing Fields - Middle: Can personal desire remain separate from political catastrophe
Reason: Romance and ambition unfold inside a society moving toward rupture
Related Film: Under Fire - Core: Can truth survive when foreign vision is shaped by access, privilege, and crisis
Reason: Political reality is mediated through outsiders who benefit from the instability they record
Related Film: Salvador
■ Secondary Axes
- Witness under pressure: Seeing suffering creates an ethical demand beyond professional neutrality
Related Film: The Quiet American - Collapse as awakening: Political disorder exposes the limits of career, ideology, and intimacy
Related Film: The Passenger
■ Person
- Director: Peter Weir
- Cast: Mel Gibson, Sigourney Weaver, Linda Hunt, Michael Murphy
■ Structural Tags
#WitnessImplication #PoliticalRupture #MoralExposure
■ Attribute Tags
#Australia #1982Film #PoliticalDrama
