The Rose
■ Basic Data
| Item | Content |
|---|---|
| Year | 1979 |
| Country | United States |
| Director | Mark Rydell |
| Cast | Bette Midler, Alan Bates, Frederic Forrest |
| Genre | Musical Drama |
■ Title Language Table
| Language | Text | Romanization |
|---|---|---|
| English | The Rose | – |
| Español | La Rosa | La Rosa |
| Français | The Rose | The Rose |
| Deutsch | The Rose | The Rose |
| Português | A Rosa | A Rosa |
| Italiano | The Rose | The Rose |
| Русский | Роза | Roza |
| 中文（简体） | 玫瑰 | – |
| 中文（繁體） | 玫瑰 | – |
| 한국어 | 로즈 | Rojeu |
| ไทย | เดอะ โรส | The Rose |
| Tiếng Việt | Đóa Hồng | Doa Hong |
| Bahasa Indonesia | The Rose | The Rose |
| 日本語 | ローズ | Rozu |
■ One-Line Definition
👉 A work that depicts a structure in which public success and personal collapse collide within the machinery of fame.
■ Synopsis
A celebrated singer struggles against the destructive consequences of her own stardom.
■ RECIPE Tags
#CostOfFame
#SelfDestruction
#PublicPersona
#IdentityErosion
#RecognitionAndLoss
■ Primary Axis
- Entry: What is sacrificed in exchange for greatness
Related Film: Whiplash - Middle: Can public admiration replace personal fulfillment
Related Film: Citizen Kane - Core: Does success accelerate self-destruction when identity depends upon it
Related Film: The Wrestler
■ Secondary Axes
- Performance: Separation between public image and self
Related Film: Birdman - Recognition: The loneliness created by exceptional success
Related Film: Amadeus
■ Person
- Director: Mark Rydell
- Cast: Bette Midler, Alan Bates, Frederic Forrest
■ Structural Tags
#FameMachine
#IdentityDependency
#SelfDestructiveCycle
■ Attribute Tags
#MusicalDrama
#MusicIndustry
#AmericanFilm
