Land of Mine
■ Basic Data
| Item | Content |
|---|---|
| Year | 2015 |
| Country | Denmark / Germany |
| Director | Martin Zandvliet |
| Cast | Roland Møller, Louis Hofmann, Joel Basman |
| Genre | War / Drama |
■ Title Language Table
| Language | Text | Romanization |
|---|---|---|
| English | Land of Mine | – |
| Español | Bajo la arena | Bajo la arena |
| Français | Les Oubliés | Les Oublies |
| Deutsch | Unter dem Sand | Unter dem Sand |
| Português | Terra de Minas | Terra de Minas |
| Italiano | Land of Mine – Sotto la sabbia | Land of Mine Sotto la sabbia |
| Русский | Моя земля | Moya zemlya |
| 中文（简体） | 地雷区 | – |
| 中文（繁體） | 地雷區 | – |
| 한국어 | 히틀러의 잊혀진 아이들 | Hitlerui Ijyeojin Aideul |
| ไทย | ภารกิจล้างปฐพี | Pharakit Lang Pathapi |
| Tiếng Việt | Miền đất mìn | Mien dat min |
| Bahasa Indonesia | Land of Mine | Land of Mine |
| 日本語 | ヒトラーの忘れもの | Hitora no Wasuremono |
■ One-Line Definition
👉 A work that depicts a structure in which revenge psychology and human empathy collide within postwar collective punishment
■ Synopsis
Young German prisoners of war are forced to clear landmines on Danish beaches after World War II under brutal supervision.
■ RECIPE Tags
#postwar #collective-guilt #revenge #humanization #war-trauma
■ Primary Axis（English titles only）
- Entry: The Boy in the Striped Pajamas
Reason: Human innocence trapped inside systems shaped by wartime hatred - Middle: Letters from Iwo Jima
Reason: Enemy perspectives dissolving simplified wartime morality - Core: Come and See
Reason: War transforming human beings into carriers of irreversible psychological devastation
■ Secondary Axes（English titles only）
- Moral Ambiguity: Son of Saul
- Postwar Trauma: The Painted Bird
■ Person
- Director: Martin Zandvliet
- Cast: Roland Møller, Louis Hofmann, Joel Basman
■ Structural Tags
#postwar-reversal #humanization-process #collective-punishment
■ Attribute Tags
#landmines #beach #psychological-tension
■ MOVIE RECIPE
※Relation Edge to MOVIE RECIPE※
■ Related Golden Rules
※Relation Edge to Golden Rules※
