A Fantastic Woman
■ Basic Data
| Item | Content |
|---|---|
| Year | 2017 |
| Country | Chile |
| Director | Sebastián Lelio |
| Cast | Daniela Vega, Francisco Reyes, Luis Gnecco |
| Genre | Drama |
■ Title Language Table
| Language | Text | Romanization |
|---|---|---|
| English | A Fantastic Woman | – |
| Español | Una Mujer Fantástica | Una Mujer Fantastica |
| Français | Une Femme Fantastique | Une Femme Fantastique |
| Deutsch | Eine Fantastische Frau | Eine Fantastische Frau |
| Português | Uma Mulher Fantástica | Uma Mulher Fantastica |
| Italiano | Una Donna Fantastica | Una Donna Fantastica |
| Русский | Фантастическая женщина | Fantasticheskaya Zhenshchina |
| 中文（简体） | 普通女人 | – |
| 中文（繁體） | 不思議女人 | – |
| 한국어 | 판타스틱 우먼 | Pantaseutik Umeon |
| ไทย | หญิงมหัศจรรย์ | Ying Mahatsachan |
| Tiếng Việt | Người Phụ Nữ Tuyệt Vời | Nguoi Phu Nu Tuyet Voi |
| Bahasa Indonesia | Seorang Wanita Fantastis | Seorang Wanita Fantastis |
| 日本語 | ナチュラルウーマン | Nachuraru Uman |
■ One-Line Definition
👉 A work that depicts a structure in which personal dignity and social exclusion collide within grief.
■ Synopsis
After the death of her partner, a woman confronts prejudice while trying to preserve her identity and dignity.
■ RECIPE Tags
#Dignity
#Identity
#Grief
#Recognition
#Humanity
■ Primary Axis
- Entry: Loss
Reason: Bereavement initiates the conflict.
Related Film: Manchester by the Sea - Middle: Social Rejection
Reason: Personal suffering is intensified by exclusion.
Related Film: Philadelphia - Core: Human Dignity
Reason: The struggle converges on the right to exist as oneself.
Related Film: Ikiru
■ Secondary Axes
- Identity: Selfhood under external pressure.
Related Film: Moonlight - Recognition: The need to be seen as fully human.
Related Film: The Elephant Man
■ Person
- Director: Sebastián Lelio
- Cast: Daniela Vega, Francisco Reyes, Luis Gnecco
■ Structural Tags
#BereavementStructure
#ExclusionStructure
#RecognitionStructure
■ Attribute Tags
#ChileanFilm
#Drama
#AcademyAwardWinner
