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Hiroshima mon amour

Hiroshima mon amour

■ Basic Data

ItemContent
Year1959
CountryFrance, Japan
DirectorAlain Resnais
CastEmmanuelle Riva, Eiji Okada, Bernard Fresson
GenreDrama, romance, art film

■ Title Language Table

LanguageTextRomanization
EnglishHiroshima mon amour
EspañolHiroshima mon amourHiroshima mon amour
FrançaisHiroshima mon amourHiroshima mon amour
DeutschHiroshima, mon amourHiroshima, mon amour
PortuguêsHiroshima mon amourHiroshima mon amour
ItalianoHiroshima mon amourHiroshima mon amour
РусскийХиросима, любовь мояKhirosima, lyubov moya
中文(简体)广岛之恋
中文(繁體)廣島之戀
한국어히로시마 내 사랑Hiroshima nae sarang
ไทยHiroshima mon amourHiroshima mon amour
Tiếng ViệtHiroshima mon amourHiroshima mon amour
Bahasa IndonesiaHiroshima mon amourHiroshima mon amour
日本語ヒロシマ・モナムールHiroshima Monamūru

■ One-Line Definition

👉 A work that depicts a structure in which private memory and historical catastrophe collide within an impossible act of remembrance


■ Synopsis

A French actress and a Japanese architect encounter each other in Hiroshima while their personal memories and the city’s atomic past intertwine.


■ RECIPE Tags

#Memory #HistoricalTrauma #ImpossibleWitness #PrivateCatastrophe #Forgetting


■ Primary Axis

  • Entry: private love as an entrance into historical trauma
     Related Film: The English Patient
  • Middle: memory fractured by war and impossible return
     Related Film: The Pawnbroker
  • Core: remembering as both necessity and impossibility
     Related Film: Last Year at Marienbad

■ Secondary Axes

  • Personal and Collective Catastrophe: individual wounds are placed against public destruction
     Related Film: Hiroshima
  • Body as Archive: desire becomes a site where memory reappears
     Related Film: The Double Life of Véronique

■ Person

  • Director: Alain Resnais
  • Cast: Emmanuelle Riva, Eiji Okada, Bernard Fresson

■ Structural Tags

#MemoryCollision #TemporalFragmentation #WitnessStructure


■ Attribute Tags

#FrenchJapaneseFilm #PostwarCinema #ArtFilm

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