Rashomon
■ Basic Data
| Item | Content |
|---|---|
| Year | 1950 |
| Country | Japan |
| Director | Akira Kurosawa |
| Cast | Toshiro Mifune, Machiko Kyo, Masayuki Mori |
| Genre | Psychological Drama |
■ Title Language Table
| Language | Text | Romanization |
|---|---|---|
| English | Rashomon | – |
| Español | Rashomon | Rashomon |
| Français | Rashōmon | Rashomon |
| Deutsch | Rashomon | Rashomon |
| Português | Rashomon | Rashomon |
| Italiano | Rashomon | Rashomon |
| Русский | Расёмон | Rasyomon |
| 中文（简体） | 罗生门 | – |
| 中文（繁體） | 羅生門 | – |
| 한국어 | 라쇼몽 | Rashomong |
| ไทย | ราโชมอน | Rashomon |
| Tiếng Việt | Rashomon | Rashomon |
| Bahasa Indonesia | Rashomon | Rashomon |
| 日本語 | 羅生門 | Rashōmon |
■ One-Line Definition
👉 A work that depicts a structure in which subjective truth and objective reality collide within conflicting human testimony.
■ Synopsis
Multiple witnesses describe the same incident in mutually contradictory ways.
■ RECIPE Tags
#SubjectiveTruth
#HumanSelfDeception
#Uncertainty
#MoralAmbiguity
#NatureOfTruth
■ Primary Axis
- Entry: Can human testimony reveal truth
Related Film: Anatomy of a Murder - Middle: Why does perception distort reality
Related Film: Blow-Up - Core: Is objective truth accessible through human experience
Related Film: The Thin Red Line
■ Secondary Axes
- Perspective: Limits of individual perception
Related Film: Citizen Kane - Morality: Relationship between truth and self-interest
Related Film: Judgment at Nuremberg
■ Person
- Director: Akira Kurosawa
- Cast: Toshiro Mifune, Machiko Kyo, Masayuki Mori
■ Structural Tags
#ConflictingNarratives
#SubjectivePerception
#TruthUncertainty
■ Attribute Tags
#PsychologicalDrama
#PeriodFilm
#JapaneseFilm
