The King of Comedy
■ Basic Data
| Item | Content |
|---|---|
| Year | 1982 |
| Country | United States |
| Director | Martin Scorsese |
| Cast | Robert De Niro, Jerry Lewis |
| Genre | Psychological Drama |
■ Title Language Table
| Language | Text | Romanization |
|---|---|---|
| English | The King of Comedy | – |
| Español | El rey de la comedia | El Rey de la Comedia |
| Français | La Valse des pantins | La Valse des Pantins |
| Deutsch | König für eine Nacht | Konig Fur Eine Nacht |
| Português | O Rei da Comédia | O Rei da Comedia |
| Italiano | Re per una notte | Re Per Una Notte |
| Русский | Король комедии | Korol Komedii |
| 中文（简体） | 喜剧之王 | – |
| 中文（繁體） | 喜劇之王 | – |
| 한국어 | 코미디의 왕 | Komidieui Wang |
| ไทย | ราชาแห่งเสียงหัวเราะ | Racha Haeng Siang Huaro |
| Tiếng Việt | Vua Hài Kịch | Vua Hai Kich |
| Bahasa Indonesia | Raja Komedi | Raja Komedi |
| 日本語 | キング・オブ・コメディ | Kingu obu Komedi |
■ One-Line Definition
👉 A work that depicts a structure in which recognition obsession and social invisibility collide within celebrity culture
■ Synopsis
An isolated aspiring comedian escalates his delusion in pursuit of fame and public recognition.
■ RECIPE Tags
#RecognitionObsession #CelebrityCulture #DelusionalIdentity #SocialIsolation #FameStructure
■ Primary Axis（English titles only）
- Entry: Taxi Driver
Reason: Social isolation mutating into distorted self-importance - Middle: Network
Reason: Media systems transforming psychological instability into spectacle - Core: Joker
Reason: Public recognition emerging through alienation, humiliation, and social collapse
■ Secondary Axes（English titles only）
- Media Obsession: Nightcrawler
- Manufactured Identity: Fight Club
■ Person
- Director: Martin Scorsese
- Cast: Robert De Niro, Jerry Lewis
■ Structural Tags
#RecognitionStructure #IsolationMechanism #IdentityDistortion
■ Attribute Tags
#PsychologicalDrama #MediaSociety #CelebrityCulture
■ MOVIE RECIPE
※Relation Edge to MOVIE RECIPE※
■ Related Golden Rules
※Relation Edge to Golden Rules※
